Monthly Archives: October 2016

Redd Loves to Break

In the world of interior design, decorating rules often become so embedded they are second nature—but not for everyone. We’re looking to those boundary-pushing talents to find out the popular design ideas they’re ready to move on from, and what they are trying out instead. First up: Miles Redd, who defies easy labels, bringing his own special blend of glamour and wit to every project. Whether he’s decorating a tropical vacation home or a Texas mansion, the New York designer can always be counted on to defy conventions. We turned to Redd, the former creative director of Oscar de la Renta and author of The Big Book of Chic, to learn which design rules he thinks were made to be broken.

“Often when I flip through a catalogue, it would appear we live in a world of beige, a great big bowl of coffee ice cream,” says Redd. The designer prefers to embrace rich hues, as in this windowless entryway “where it appears glittering rather than dull like dishwater.”

“I think people see tiny rooms and they think they need tiny furniture, but often one large thing kissing the ceiling will expand the room,” he says.

“Good decoration can be so correct, it can be a little boring,” says Redd. The mega metal mosquito on the ceiling of an otherwise formal living room in Houston “takes the edge off things and shows you have a sense of humor.”

Minimalism Home is The Great One

Do you believe less is more or more is more? Do you like to stick with the essentials, or do you bring home something new from every excursion? Do you prefer a foundation of serene neutral hues, or are you drawn to no-holds-barred color? Basically, are you a minimalist or a maximalist? Ultimately, there is no wrong answer—there is beauty in both the thoughtful simplicity of a minimalist space and the eye-catching mix of tones and textures in a maximalist one—but many designers (and design lovers) have a preference. So we asked a few top designers to weigh in on why they love one or the other. Here’s what they had to say.

“Though not necessarily minimalist, we define our style as ‘layered modernism’—a refined aesthetic that combines clean lines with luxurious materials and finishes, creating warm, sophisticated, and comfortable spaces. We do appreciate minimalism’s long unbroken expanses, simple details, and soft color palette—these act as a visual palate cleanser. As a society, we are assaulted every day by a barrage of visual stimuli—it’s overwhelming. A reductive environment allows the eye, the mind, and the soul to rest and rejuvenate. A successful minimalist setting, highlighting form and line and free of superfluous detailing, can be utterly sublime. What I don’t think people appreciate about minimalist design is that it’s not as easy as it looks—in fact, it requires rigorous precision in planning and execution. With traditional detailing, errors in measuring can be masked with thick moldings and flounces of fabric. With minimalism, everything has to be ‘perfect’; adjoining materials, walls, and floors, have to be exactly straight—any deviation shows terribly.” —Russell Groves of Groves & Co.

“Minimalism in architecture is a movement. Maximalism is a lifestyle of living in an unimprovable space that can’t be altered structurally so one must overwhelm the senses with objects, pillows, and color. True minimalism uses the refinement of materials and the poetry of intersecting planes with the relationship of objects and their proximity to each other. Maximalism is hedonistic and bohemian in its message. If you can’t hide it, paint it red.” —Simon Townsend Jacobsen of Jacobsen Architecture

“Abhorring my parents’ modernist taste in furnishings and decoration happened very early in my childhood—1935! Very much like today’s younger generation, everything was quick delivery and off the shelf. There was no regard for the past or Granny’s best. My take for the past was immediate. My yearning to collect went along with that, as my mother was to nickname me Collyer (after the famous Collyer brothers) by the time I was eight years old. I loved the romance of being a collector.” —Mario Buatta

“There is a joy in designing a space without limitations and restrictions, where excess is encouraged and unlikely pairings create beautiful and unexpected harmonies.” —Kelly Wearstler

“A layered, maximal interior is hard to photograph. The camera cannot always take in all the detail, and they can look garish. However, in life the good ones are wonderful and always make things a bit more piquant. One gets to play with so much: color, texture, scale, juxtaposition, and multitude of objects through the centuries. Minimalism is the thing that takes discipline.” —Miles Redd